31st Oct, 2016 20:00

Historic, Modern & Contemporary Art

 
  Lot 85
 
Lot 85 - Michael MacGarry, b.1978 South Africa

85

Michael MacGarry, b.1978 South Africa
Private Grammar II

certified original film prop (District 9, dir. Neill Blomkamp, 2009) steel nails and epoxy

Artwork date: 2011
Exhibited: Stevenson, Johannesburg, Entertainment, 26 May to 1 July 2011. Art Basel Miami Beach, 1 to 4 December 2011.
Literature: MacGarry, M. (2001). The other half: past and future now. Cape Town: Stevenson, colour illustration on p.3.

Estimated at R90,000 - R120,000

 

certified original film prop (District 9, dir. Neill Blomkamp, 2009) steel nails and epoxy

Artwork date: 2011
Exhibited: Stevenson, Johannesburg, Entertainment, 26 May to 1 July 2011. Art Basel Miami Beach, 1 to 4 December 2011.
Literature: MacGarry, M. (2001). The other half: past and future now. Cape Town: Stevenson, colour illustration on p.3.

(1)

135 x 46 x 21 cm

Notes:

The nkisi nkondi figures of the BaKongo peoples of the DRC (sometimes referred to as ‘fetishes’ in the western literature) are sacred containers of supernatural forces that can potentially be summoned into the physical world. In this work Michael MacGarry is directly alluding to these minkisi and the power they have to unleash either positive or negative energy, through the insertion of nails or blades into the sculptures. In fact MacGarry’s long-standing interest in the aesthetic of the assault rifle with similar insertions has been seen in numerous works since his 2008 sculpture series, Fetish (MacGarry, 2010).

Private Grammar II initially saw use as a prop in the 2009 movie District 9, just as many other of MacGarry’s adapted weapons have been used in his own films. In some ways the use of the artwork in this way is another act of activation, just as the driving of a nail into an nkisi seeks to do the same. As the artist notes ‘My ongoing interest and investigation in to the role of the AK-47 assault rifle within the context of the African continent, sits within the broader field of querying a multitude of other forms of imported commodities, cultural products, political ideologies and socio-economic policies that litter the landscape of far too many nationstates within the continent like beached ships.’ (Breukel, 2011)

Thus one may see Private Grammar II as a talismanic power object describing a state that might yet come as much as one that exists in the present. Its potential for direct violence may have been, in one way, deactivated but in so doing, it offers a sinister promise of other violences still to come.

Andrew Lamprecht

Exhibited:

Entertainment (solo show), STEVENSON, Johannesburg (26 May - 1 July 2011)

Art Basel Miami Beach, 2011

Sources:

Breukel, C. (2011). District 9 Movie Prop As African Fetish Object. [online] Hyperallergic. Available at: http://hyperallergic.com/42366/district-9-movie-prop-african-fetish-object [Accessed 30 August 2016].

MacGarry, M. (2010). Endgame: Standard Bank young artist award 2010. Johannesburg: All Theory, No Practice, pp. 64-67.

MacGarry, M. (2012). The other half: past and future now. Cape Town: Stevenson, p. 3 (illustrated).

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Auction: Historic, Modern & Contemporary Art, 31st Oct, 2016

The line-up for our inaugural sale included an extraordinary selection of art. Works ranged from JH Pierneef’s breathtaking Karoo near Hofmeyer, painted in 1930, to Dan Halter’s 2006, ultraviolet light, Pefection. 

Sculptures varied from Edoardo Villa’s acknowledgment of French artist, Aristide Maillol to Wim Botha’s heads that draw on classical and contemporary sources and Ed Young’s cheeky nude self-portrait. Also included were impressive photographs by award-winners, David Goldblatt and Pieter Hugo.

The auction set an impressive standard, with an outstanding sell-through rate of over 75% across 121 lots. The top lot of the sale was Alexis Preller’s exceptional Profile Figures (Mirrored Image), selling for over  R7-million. Record sales were achieved for Villa, Goldblatt, and Hugo, amongst others.

Viewing

Friday 28 October 2016 | 10 am – 5 pm
Saturday 28 October 2016 | 10 am – 5 pm
Sunday 28 October 2016 | 10 am – 4 pm

 

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