5th Nov, 2020 19:00

Aspire X PLP | African Photography Auction 2020

 
  Lot 42
 
Lot 42 - Xoliswa Ngwenya (South Africa 1990-)

42

Xoliswa Ngwenya (South Africa 1990-)
Sesh (from the In My Solitude series)

archival ink print on Hahnemühle Photo Rag

Artwork date: 2015
Signature details: signed
Edition: number 1 from an edition of 10

Estimated at R7,000 - R10,000

 

archival ink print on Hahnemühle Photo Rag

Artwork date: 2015
Signature details: signed
Edition: number 1 from an edition of 10

(1)

image size: 23.5 x 36 cm, sheet size: 29.5 x 42 cm, unframed

Notes:

Xoliswa Ngwenya is a visual artist, photographer and archivist from Johannesburg, South Africa. He is a Market Photo Workshop alumnus, and was a runner up for the Tierney Fellowship in 2015. Ngwenya was awarded 1st prize in the Social Justice Photography Competition through the Open Society Foundation in 2016. He was also the main exhibitor at Through the Lens in Cape Town in the same year. In 2018, he was shortlisted for DemocraSEE 3 photography award, was part of the RMB Talent Unlocked artist career development programme, and exhibited at the Turbine Art Fair, Johannesburg. He was also nominated for the MAST Foundation for Photography grant in the same year. In 2019, Ngwenya was shortlisted for a Magnum Foundation Fellowship and for the Contemporary African Photography Prize. His work has been featured in various publications in South Africa. The passing of Ngwenya’s mother when he was nine years old strongly influences his work as he explores themes of absence, abandonment, belonging, nostalgia, home, and identity.Both works o"ered on auction are from the series, In My Solitude, a project which documents the coal yards in Zola 2, Soweto. Coal yards are one of the historic places in the township, and were built by the apartheid government between 1956–1963 after the forceful removals of black South Africans who lived in places such as Brickfields (now known as Newtown), Sophiatown, and Alexandra. In the early days of Soweto, electricity was not available, so coal was essential for domestic and commercial use. The government of that time saw a great opportunity to make profit from this need by building the yard to store coal and also employ the members of the community; later, the community members gained the right to sell and distribute coal within and around Soweto. "The people living in the coal yards are often vilified by surrounding communities;I see this body of work as an opportunity to stop this stereotyping. My project has a strong dimension of social awareness, and comments on the social and political realities which these people face." Work from In My Solitude was exhibited as part of Through the Lens, Cape Town (2016); the Turbine Art Fair, Johannesburg (2018); and RMB Talent Unlocked.

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Auction: Aspire X PLP | African Photography Auction 2020, 5th Nov, 2020

A collection of pan-African works, straddling the terrain between historical and contemporary photography, were auctioned to support the digitisation of African photographic legacies by the Photography Legacy Project (PLP). Bidders participated from across Europe, the USA and UK, Asia, Australia and Africa – a testament to Aspire’s increasing global reach and collectors’ enthusiasm for African photography.

The auction included photographic luminaries such as David Goldblatt, Alf Kumalo, G.R. Naidoo, Ranjith Kally and Ian Berry, as well as more contemporary internationally acclaimed photographers like Guy Tillim, Jo Ractliffe, Syowia Kyambi and Mikhael Subotzky. The lead lot, a portfolio of 12 silver gelatin prints from the legendary photographer Ernest Cole’s seminal 1967 book House of Bondage sold for an astounding R569,000 – a new world auction record.

 

 

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