22nd Jun, 2022 18:00

The Present Future: A Private Collection of African & International Contemporary Art (Live Auction)

 
Lot 46
 
Lot 46 - Daniella Mooney (South Africa 1986-)

46

Daniella Mooney (South Africa 1986-)
The Mirror of Ink

black ink, hand-carved Meranti wood and perspex

Artwork date: 2011
Exhibited: OPEN 24 Hrs, Cape Town, 'Re-imagined Realities', 30 May to 31 August 2019.; WHATIFTHEWORLD Gallery, Cape Town, 'Danielle Mooney: Maybe Your Magic is Working?', 28 January to 19 February 2011.
Literature: Fouché, P. (2011). 'Danielle Mooney: Maybe Your Magic is Working'. Cape Town: WHATIFTHEWORLD Gallery, referenced on pp.11 – 13.

Sold for R58,625
Estimated at R50,000 - R70,000


 

black ink, hand-carved Meranti wood and perspex

Artwork date: 2011
Exhibited: OPEN 24 Hrs, Cape Town, 'Re-imagined Realities', 30 May to 31 August 2019.; WHATIFTHEWORLD Gallery, Cape Town, 'Danielle Mooney: Maybe Your Magic is Working?', 28 January to 19 February 2011.
Literature: Fouché, P. (2011). 'Danielle Mooney: Maybe Your Magic is Working'. Cape Town: WHATIFTHEWORLD Gallery, referenced on pp.11 – 13.

(1)

206 x 131 x 133 cm

Provenance:

Private collection, Cape Town.

WHATIFTHEWORLD Gallery, Cape Town.

Notes:

The Mirror of Ink (2011) is a remodelling of the fountain from De Waal Park in Oranjezicht, Cape Town and is an immaculate example of Daniella Mooney’s technical sculptural aptitude.

Accomplished and skilful, Mooney has developed her craft to a level of critical acclaim. She has exhibited widely both locally and internationally. Recent solo exhibitions include Paintings at Blue Mountain School in London and Tripping Stone / by Oona Calx at Otomys in Melbourne, both in 2021. Group exhibitions in the same year include Between Strangers at Nuweland Gallery in Oosterzee and Hot Mess II at Nåpoleon Complex, Berlin.

Notably, her sculptural work was included in the book 100 Sculptors of Tomorrow (2019), authored by Kurt Beers, Director of the well-known Beers London Gallery and art historian and critic Richard Cork. The publication was the culmination of a major, democratic open call for up-and-coming sculptors and an internationally renowned jury identified the most exciting names in sculpture at the time.

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