archival ink print on Hahnemühle Photo Rag
Artwork date: 2018
Signature details: signed
Edition: number 1 from an edition of 10
Sold for R9,380
Estimated at R8,000 - R12,000
Condition Report
The condition is mint.
Please note, we are not qualified conservators and these reports give our opinion as to the general condition of the works. We advise that bidders view the lots in person to satisfy themselves with the condition of prospective purchases.
archival ink print on Hahnemühle Photo Rag
Artwork date: 2018
Signature details: signed
Edition: number 1 from an edition of 10
(1)
image size: 23.5 x 36 cm, sheet size: 29.5 x 42 cm, unframed
Notes:
"Alan van Gysen is one of the world’s most respected surf photographers. With an inextinguishable drive and natural flair, he has spent the past twenty years carving his mark into the international scene. His dedication to his craft has captured the artistry of South Africa’s and the world’s top surfers." – Brendon Bosworth As a surf photojournalist, he has travelled the planet to cover stories for major surfing magazines. His lens has also reached beyond the commercial and the wellknown surfing personalities and predictable narratives, to tell the story of lesserknown African surf culture. Van Gysen’s work o"ers surfers from the continent a voice and place in a highly commercialised industry, presenting a counter-vision to how surfing is generally projected.He is also involved in projects like The 9 Miles Project and Waves for Change that have been crucial in supporting at-risk youth to be part of a sport that is often considered exclusionary and elitist. At present he is working with the team from Mami Wata on AfroSurf – the first book of its kind to document African surf culture - a project which has already received international backing and interest. "South African professional surfer Michael February was elevated to hero status in 2017/18 when he qualified for the World Surf League (WSL), becoming what many still regard as the first black African surfer to qualify for the championship surfing tour. After choosing the number 54 as his world tour jersey number – representative
of Africa as a whole, and because of his graceful style, he quickly garnered a cult following within African surf culture and the global surf community. Pictured here during the making of his seminal surf and music film Nu Rythmo, M-Feb, as he is a"ectionately known, surfs past local fishermen refuelling their vessel for the day ahead on a quiet stretch of coast in Ghana". "Shortly after surfing was introduced to the community on Tarkwa Island, Lagos, by Nigerian-born John Micheletti, a strong, unique surf culture emerged across Africa's largest city. Within the protected confines of the manmade piers and break walls of the major shipping lane in Lagos, a wave unlike any other in Africa was born by the fortunate ‘accident’ of angle, length and direction of concrete facing into the powerful Atlantic. One of Tarkwa's upcoming talents waits for the incoming tide, while in the background the most ambitious project in Africa, Atlantic City, becomes a reality".
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Auction: Aspire X PLP | African Photography Auction 2020, 5th Nov, 2020
A collection of pan-African works, straddling the terrain between historical and contemporary photography, were auctioned to support the digitisation of African photographic legacies by the Photography Legacy Project (PLP). Bidders participated from across Europe, the USA and UK, Asia, Australia and Africa – a testament to Aspire’s increasing global reach and collectors’ enthusiasm for African photography.
The auction included photographic luminaries such as David Goldblatt, Alf Kumalo, G.R. Naidoo, Ranjith Kally and Ian Berry, as well as more contemporary internationally acclaimed photographers like Guy Tillim, Jo Ractliffe, Syowia Kyambi and Mikhael Subotzky. The lead lot, a portfolio of 12 silver gelatin prints from the legendary photographer Ernest Cole’s seminal 1967 book House of Bondage sold for an astounding R569,000 – a new world auction record.
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Logistics
While we endeavour to assist our Clients as much as possible, we require artwork(s) to be delivered and/or collected from our premises by the Client. In instances where a Client is unable to deliver or collect artwork(s), Aspire staff is available to assist in this process by outsourcing the services to one of our preferred Service Providers. The cost for this will be for the Client’s account, with an additional Handling Fee of 15% charged on top of the Service Provider’s invoice.
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For buyers from outside South Africa, we will keep the artworks you have purchased in storage during the year and then ship all the works you have acquired during the year together, so the shipping costs are reduced. At the end of the annual period, we will source various quotes to get you the best price, and ship all your artworks to your desired address at once.
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