Announcement: Aspire X PLP Photography Auction

Announcement: Aspire X PLP Photography Auction

The Photography Legacy Project Raises Funds through First of its kind Auction in South Africa

30/09/2020     Live Auctions, Announcements



A collection of pan-African works, straddling the terrain between historical and contemporary photography, will be on auction this November to support the digitisation of African photographic legacies by the PLP. While the PLP’s primary objective is to create an easily accessible and reliable archive for education and research, the organisation also aims to raise the profile of African photography globally.

“The under representation of African artists and photographers is has contributed to a visceral representation gap of black artists within collections globally. To date, African artists represent less than 1% of the overall market,” say Ruarc Peffers, MD of Aspire Art Auctions. “It is through efforts of organisations such as PLP that we are able to grow the value of artists from Africa to be more in-line with their American and European counterparts.”

One of the attractions is a portfolio of 12 silver gelatin prints presented by the Ernest Cole Family Trust of Ernest Cole’s, once thought lost, archive. The portfolio, from his seminal 1967 book House of Bondage, is part of Cole’s recovered legacy.


Earnest boy squats on haunches to follow a lesson in heat of a packed classroom, Gauteng, c.1965, From the Ernest Cole portfolio of lost images

An image from the Ernest Cole portfolio of lost images for sale through the PLP auction (images courtesy Ernest Cole Family Trust)


Other photographic luminaries such as David Goldblatt, Alf Kumalo, photographers from Drum Magazine including Bob Gosani, G.R. Naidoo, Ranjith Kally and Ian Berry, as well as more contemporary internationally acclaimed photographers like Guy Tillim, Kiluanji Kia Henda, Jo Ractliffe, Emmanuelle Andrianjafy, Syowia Kyambi and Mikhael Subotzky share their work with a diverse platform of creative talent.

Significantly, there is also a large group of contemporary emerging photographers from South Africa, several of them Market Photo Workshop graduates. The auction features photographers based in Sudan, Ghana, Senegal, Angola, Namibia and Kenya, including work from Sudanese photographer Ala Kheir’s Revisiting Khartoum series, and recent images by Ghanaian photographer Nipah Dennis.

There is a compelling contribution of vernacular studio and street photography from the project, The Other Camera. Increasingly, this genre of vernacular photography – encapsulated by the iconic images of Seydou Keïta and Malick Sidibé – is becoming rare and collectable. The once ever-present studio or street photographer, so prevalent throughout the continent, is a diminishing practice. The studio portrait that is deeply part of Africa’s photographic history, is being superseded by the quick fix mobile phone or selfie. The auction showcases some of these rare collections by photographers such as Ronald Ngilima and William Matlala.


Lovers, Watville, Gauteng, c.1950, From the Ronald Ngilima Collection (Courtesy the Ronald Ngilima family)


Photo shoot, greater Johannesburg, c.1990 (Courtesy William Matlala)


Amongst the well-known and emerging, are photographers who have been plying their trade for decades. These include award-winning photographers and established names. The auction can also, much like the PLP’s vision, be seen as a vehicle to recover, celebrate, and present hidden and buried work of photographers who have stepped up to share iconic as well as new images.

The PLP auction is both diverse and fluid in its content and form: it encompasses a number of aesthetic forms and approaches from traditional to modern; it reflects the inevitable resonances of a troubled history, yet mirrors those who wish to see the continent afresh and unburdened from the past. When poet and novelist Chinua Achebe was once asked about the notion of an African identity, he replied there wasn’t one, it was in the making. This auction is about African photography in the making. It provokes – as curator Okwui Enwezor has suggested of African photography – new readings and discoveries, somewhere between the past and present, as it embraces the future.


Proceeds of the fundraiser auction go towards the PLP and the participating photographers.


Background on PLP
The Photography Legacy Project (PLP) which has been in operation since 2019 has initiated an important visual heritage project to profile the significant contribution of major South African and African photographers. It does it in a climate where there is very little or no commitment on the part of African governments to the preservation of photographic heritage, either physically or digitally. Without sustainable commitment to the preservation of photographic heritage either physically or digitally, African photographic collections and archives remain perilously endangered. The PLP’s initiative is primarily to ensure that significant collections of African photography can remain on the continent and made widely accessible for education and research. It has begun with four South African photographers (David Goldblatt, Alf Kumalo, Ernest Cole and Ruth Motau) and has developed a portal of African archives and photographers. Please see



Selected lots can be previewed from Monday 26 October to Thursday 5 November at Aspire’s gallery in Illovo.


For more information, contact Ruarc Peffers on 084 444 8004 |

Watch our website for the catalogue release in the week of Monday 12 October