25th Jun, 2025 19:00

Modern & Contemporary Art

 
  Lot 8
 
Lot 8 - Tracey Rose (South Africa 1974-)

8

Tracey Rose (South Africa 1974-)
FUDGE

acrylic, ink and pencil on paper

Artwork date: 2024
Signature details: signed bottom left and inscribed with the title on the reverse
Exchange Rates*: USD 1628.70 – 2171.61
EURO 1480.10 – 1973.46
GBP 1245.59 – 1660.78

Estimate
R30,000 - R40,000
 

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acrylic, ink and pencil on paper

Artwork date: 2024
Signature details: signed bottom left and inscribed with the title on the reverse
Exchange Rates*: USD 1628.70 – 2171.61
EURO 1480.10 – 1973.46
GBP 1245.59 – 1660.78

(1)

29.5 x 21 cm; framed size: 42 x 32 x 2.5 cm

Provenance:

Private collection, Johannesburg

COLLECTORS NOTE

  • Most recently, Tracey Rose showcased at a group exhibition titled Everything Is So Alive! at the prestigious Bergen Kunsthall in Norway, from 24 January to 30 March 2025.
  • The artist’s retrospective, Shooting Down Babylon, was exhibited at the Queens Museum in New York (2023) and originally at the Zeitz MOCAA in Cape Town, South Africa (2022).
  • Biennale features include May You Live in Interesting Times South African National Pavilion, 58th La Biennale di Venezia, Italy (2019); Performa 17, New York, USA (2017), Documenta14, Athens, Greece and Kassel, Germany (2017;2016); Lubumbashi Biennial, Lubumbashi, Democratic Republic of Congo (2017) and the 11th Biennale de Lyon, Lyon, France (2011).
  • Notable museum shows include False Flag, Art Parcours, Art Basel, Basel, Switzerland (2016); Toro Salvaje, Museum of Modern Art, Buenos Aires, Argentina (2016); (x), Reina Sofía Museum, Madrid, Spain (2014); Waiting for God, Johannesburg Art Gallery, Johannesburg, South Africa and Bildmuseet, UmeÃ¥, Sweden (2011); Afro Modern: Journeys through the Black Atlantic, Tate Liverpool, Liverpool, UK (2010); StedelijkMuseum Amsterdam, Netherlands (2008); Africa Remix, The Haywood Gallery, London, UK and Centre George Pompidou, Paris, France (2005); and Africaine, The Studio Museum, New York, USA (2002) amongst others.
  • Publication features include: Olhar Contemporâneo (2024) by by João Correia; MARRAMARRA: INDIGENOUS ARTISTS MAKING HISTORY VISIBLE (2024) by Brook Garru Andrew, and Jessica Neath; Public Art in Africa. Art et transformations urbaines à Douala /// Art and Urban Transformations in Douala (2017) edited by Iolanda Pensa with Marta Pucciarelli; Les Carnets de la création (2005), by Tracey Murinik ; Tracey Rose: Fresh (2004) edited by Kellie Jones and Emma Bedford, South African National Gallery; and 10 years 100 artists: art in a democratic South Africa (2004), edited by Sophie Perryer.
  • Rose has taken part in several residencies including the WysingArts Centre, Cambridgeshire, UK (2014); DAAD, Berlin, Germany (2012/13); Darb1718, Cairo, Egypt (2012); Cruzes, Montevideo, Uruguay (2011); KhojInternational Artists Workshop Vasind, India (2005); Africa 2005 Residency, The London School of Hygiene and Tropical Medicine, London, UK, (2004); Hollywood Hills Horrorhouse, Los Angeles, CA, USA (2001); Fresh, South African National Gallery, Cape Town, South Africa (2001) and OK Centrum, Linz, Austria (2000).

COLLECTIONS:

The artist is represented in numerous local and international collections, notably, the Zeitz Museum of Contemporary Art Africa (Zeitz MOCCA), Cape Town; Museo Nacional Centro de Arte Reina Sofía, Madrid; Southern African Foundation For Contemporary Art and the SABC Art Collection, Johannesburg.

The overall condition is very good.

Please note, we are not qualified conservators and these reports give our opinion as to the general condition of the works. We advise that bidders view the lots in person to satisfy themselves with the condition of prospective purchases.

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