31st Oct, 2016 20:00

Historic, Modern & Contemporary Art

 
  Lot 19
 
Lot 19 - Maggie Laubser, South African 1886–1973

19

Maggie Laubser, South African 1886–1973
Landscape with Two Figures, a White Cow and Huts

oil on board

Signature details: signed
Exhibited: Schweikert's, Pretoria, 1959.,
Literature: Marais, D. (1994). Maggie Laubser: Her Paintings, Drawings and Graphics, Johannesburg and Cape Town: Perskor, illustration on p.334, catalogue number 1429.


 

oil on board

Signature details: signed
Exhibited: Schweikert's, Pretoria, 1959.,
Literature: Marais, D. (1994). Maggie Laubser: Her Paintings, Drawings and Graphics, Johannesburg and Cape Town: Perskor, illustration on p.334, catalogue number 1429.

(1)

40.5 x 45.5 cm

Mr W.L. Maree, Pretoria. Purchased from an exhibition at Schweikert's, Pretoria, 1959.

Notes:

After her return from Berlin in 1924, Maggie Laubser began to develop her pastoral style, a vision of an idealised world of peasant life where the pace is slow, where men work in the fields and women collect wood and water. In later years, Laubser reflected on this approach saying “everything I know the farm has taught me – not study abroad” (Van Rooyen 1974:16). In order to establish her own distinctive style she had to unlearn the earlier lessons in Cape Town, taught by Edward Roworth, and London. Although Ambrose McEvoy at the Slade School of Art in London praised her for her “sensitive line, deep insight into character and a fine sense of composition” … “she knew ‘intuitively’ that she would never be able to imitate her tutors who were ‘society painters’” (Botha 1964:30). The direction she took initially resulted in ridicule for and critical rejection of her painting, but as time wore on, it became clear that she “was more South African than any other painter in the country; that she alone had crystallized her people’s identification with the soil and their simple, holistic view of nature; that behind the apparent naiveté of her forms there was a devout appreciation of her spiritual unity which binds all living things” (Berman 1983:254).

Landscape with Two Figures, a White Cow and Huts, listed as no. 1429 in the 1994 catalogue raisonné of Laubser’s works (Marais 1994:334), is a later work, representing the years 1950-1973 when Laubser lived in her home Altyd Lig in Strand and had exhibited throughout the country. In this landscape of the eastern Free State, the two figures, the cows and the huts are bathed in autumnal sunlight; the amber poplars and the clouds tinged with gold.

Johan Myburg

Sources:

Berman, E. (1983). Art & Artists of South Africa. Cape Town & Rotterdam: Balkema.

Botha, E. (1964). Die lewe en skilderwerk van Maggie Laubser. Ongepubliseerde MA-verhandeling. Universiteit van Pretoria.

Marais, D. (1994). Maggie Laubser: Her Paintings, Drawings and Graphics. Johannesburg and Cape Town: Perskor.

Van Rooyen, J. (1974). Maggie Laubser. Cape Town and Johannesburg: Struik.

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Auction: Historic, Modern & Contemporary Art, 31st Oct, 2016

The line-up for our inaugural sale included an extraordinary selection of art. Works ranged from JH Pierneef’s breathtaking Karoo near Hofmeyer, painted in 1930, to Dan Halter’s 2006, ultraviolet light, Pefection. 

Sculptures varied from Edoardo Villa’s acknowledgment of French artist, Aristide Maillol to Wim Botha’s heads that draw on classical and contemporary sources and Ed Young’s cheeky nude self-portrait. Also included were impressive photographs by award-winners, David Goldblatt and Pieter Hugo.

The auction set an impressive standard, with an outstanding sell-through rate of over 75% across 121 lots. The top lot of the sale was Alexis Preller’s exceptional Profile Figures (Mirrored Image), selling for over  R7-million. Record sales were achieved for Villa, Goldblatt, and Hugo, amongst others.

Viewing

Friday 28 October 2016 | 10 am – 5 pm
Saturday 28 October 2016 | 10 am – 5 pm
Sunday 28 October 2016 | 10 am – 4 pm

 

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